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Johann Sebastian Bach |
Eighteen Chorale Preludes (BWV651-668)
Eighteen Chorale Preludes No.1 BWV651 "Komm, heiliger Geist"
This piece is the largest one among Eighteen Chorale Preludes. Choral melody and three other parts with arpeggio figures have exquisite balance.
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BWV651
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| 62(crotchet/minute) |
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Eighteen Chorale Preludes No. 2 BWV652 "Komm, heiliger Geist"
Full of pastoral and comfortable atmosphere. But the last "Alleluia" part is glorious and uplifting.
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BWV652
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| 86(crotchet/minute) |
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Eighteen Chorale Preludes No.3 BWV653 "An Wasserflussen Babylon"
There are two first drafts, BWV 653b and 653a, and this BWV 653 is the final version. It is one of the most beautiful piece of this suite. Using demure patterns of music notes, this music creates an agreeable sensation.
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BWV653
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| 60(crotchet/minute) |
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Eighteen Chorale Preludes No.4 BWV654 "Schmucke dich, o libe Seele"
When an organ-concert was held in Thomas Church, Leipzig, in 1840, this music was critically acclaimed by Robert Schumann. He quoted Mendelssohn's words, "if life had robbed me of all hope and faith, one chorale; BWV654 would restore them again."
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BWV654
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| 54(crotchet/minute) |
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Eighteen Chorale Preludes No.5 BWV655 "Herr Jesu Christ, dich zu uns wend"
This music might sound like Inventions by J. S. Bach. It is filled with geometrical beauty. The choral melody is played only at the last part, however, the motifs in the former part are variations of the choral.
liink to ACORDO SHEET MUSIC (whole scores can be browsed.) for 2 Violins & Cello 2 Violins & Viola
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BWV655
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| 80(crotchet/minute) |
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Eighteen Chorale Preludes No.6 BWV656 "O Lamm Gottes unschuldig"
A great maestoso with dramatic expressions. It is a kind of variation consisted of three verses. The choral melody is in the soprano part at the first verse, the alto part at the second, and in the bass part at the third. It might be a symbol for the Trinity.
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BWV656
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| 1. Versus manualiter: 62(h/m) 2. Versus manualiter: 62(h/m) 3. Versus: 140(q/m) takt-3/2: 68(h/m) |
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Eighteen Chorale Preludes No.7 BWV657 "Nun danket Alle Gott"
This music is wrapped up in peaceful and rusticbe atmosphere. A purified elaboration.
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BWV657
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| 66(crotchet/minute) |
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Eighteen Chorale Preludes No.8 BWV658 "Von Gott will ich nicht lassen"
The choral lyrics mean peaceful belief. Elaborately-designed piece with beautiful movements like streaming water.
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BWV658
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| 52(crotchet/minute) |
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Eighteen Chorale Preludes No.9 BWV659 "Nun komm' der Heiden Heiland"
Continuous eighth notes in bass part give us a feeling of slowly walking. Beautiful ornamental melodies are played on the bass movements.
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BWV659
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| 58(crotchet/minute) |
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Eighteen Chorale Preludes No.10 BWV660 "Nun komm' der Heiden Heiland"
Two bass parts move constantly through this music. Choral part is performed by Viola in this arrangement. Three parts interact each other maintaining independence. Solemn and energetic.
liink to ACORDO SHEET MUSIC (whole scores can be browsed.) for Viola & 2 Cellos 3 Cellos
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BWV660
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| 54(crotchet/minute) |
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Eighteen Chorale Preludes No.11 BWV661 "Nun komm' der Heiden Heiland"
Calm and Beautiful combination of energetic fugue in three voices and choral melody. In this arrangement, the choral melody originally written for pedal keyboard is performed by Violoncello.
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BWV661
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| 66(half note/minute) |
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Eighteen Chorale Preludes No.12 BWV662 "Allein Gott in der Hoh' sei Ehr'"
Calm and emotional. Beautiful small piece which gives us a sense of well-being.
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BWV662
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| 34(crotchet/minute) |
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Eighteen Chorale Preludes No.13 BWV663 "Allein Gott in der Hoh' sei Ehr'"
Stately and joyful polyphony with a galant theme. Technically not so difficult, but skill in ensemble is required.
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BWV663
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| 60(half note/minute) |
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Eighteen Chorale Preludes No.14 BWV664 "Allein Gott in der Hoh' sei Ehr'"
Tightly interacted communication with a lilting theme. Choral melody appears in only several bars at the end part.
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BWV664
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| 76(crotchet/minute) |
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Eighteen Chorale Preludes No.15 BWV665 "Jesus Christus, unser Heiland"
Massive and noble. Very impressive chromatic scale. The chromatic scale down / up might correspond to "das bittre Leiden" / "aus der Hollenpein". Beautiful but requires advanced techniques in playing.
liink to ACORDO SHEET MUSIC (whole scores can be browsed.) for Violin, 2 Violas & Cello
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BWV665
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| 58(crotchet/minute) |
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Eighteen Chorale Preludes No.16 BWV666 "Jesus Christus, unser Heiland"
It is relatively easy to play among Eighteen Chorale Preludes. All players could enjoy polyphony and singing choral melody.
liink to ACORDO SHEET MUSIC (whole scores can be browsed.) for Violin, Viola & 2 Cellos
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BWV666
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| 62(dotted crotchet/minute) |
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Eighteen Chorale Preludes No.17 BWV667 "Komm, Gott, Schopfer, heiliger Geist "
Small piece with lilting and enjoyable sixteenth note run.
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BWV667
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| 58(dotted crotchet/minute) |
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Eighteen Chorale Preludes No.18 BWV668 "Vor deinen Thron tret' ich"
This music is known for being polished when Bach was blind in his later years. Calm and peaceful atmosphere. A little bit different feeling compared with the other 17 pieces.
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BWV668
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| 72(crotchet/minute) |
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Schubler Chor. |
Bach J.S. |



























